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ABSTRACT This dissertation focuses on the production and development of a conspicuous, widespread culture phenomenon in contemporary Japan, which is characterized by numerous young, mediapromoted personalities, or pop-idols, who are groomed for public consumption. The research, based on eighteen months of in-depth fieldwork in the Japanese entertainment industry, aims to contribute to the understanding of the allegorical role played by pop-idols in the creation of youth culture. Pop-idols are analyzed as personified symbols that function as vehicles of cultural production. The principal issues suggested in this research include: the criteria of popidol production; the ways in which pop-idols are produced; the perceptions of pop-idol performances by producers, performers, and consumers; the ways in which idol personalities are differentiated from each other; the ways in which pop-idol performances are distinguished from other styles or genres; and the social, cultural, political, economic, and historical roots as well as consequences of pop-idols' popularity.

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It seems that singer Kahara Tomomi 34 is still battling her demons. It was revealed yesterday that she was taken to a Tokyo hospital last weekend after a suspected drug overdose. She got into a taxi at Kinshicho station about 3am on Saturday but was too incoherent to give any directions to the driver.

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Labels: Maria Ozawa. According to her, she had made the decision years ago, but she never mentioned it due to various circumstances. She debuted as a member of the popular girl group Baby V.